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Public Art Heritage Aotearoa New Zealand

A research initiative based at Toi Rauwhārangi Massey University College of Creative Arts.

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During 2021 we are conducting site visits around Aotearoa to document works on the register, meet with people associated with them, and hunt for more works. Stay tuned for the results!

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The book "WANTED: The Search for the modernist murals of E. Mervyn Taylor" was launched on 3 March 2018. Click through to the Massey University Press webpage for more information.

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Our visit to Ōtautahi Christchurch continued with a trip to the University of Canterbury’s Ilam Campus. What we saw had a distinctly Pacific aesthetic. Here’s a selection, with a few notes:

This year we’ve been undertaking a series of road trips around Aotearoa on the hunt for 20th Century public artworks. Today we start a series showing some of what we’ve found. First up: Ōtautahi Christchurch (Part 1).

The final work (that we’ve found) of Guy’s 20th Century ouevre was another mural using reflective adhesive, made in 1985 for a (then) new National Bank branch in Kirikiriroa Hamilton. This work has now disappeared (most likely destroyed).

In 1984 Guy made an exciting new development in his practice when he started to work with reflective adhesive. This mural for the entrance corridors of the Data General building in central Wellington, also featuring stainless steel strips, was intended to try and bring light into an otherwise dark entrance way. This work has now disappeared (most likely destroyed).

Alongside being an artist, Guy also worked across the fields of graphic, furniture and interior design. He drew on all these skills in this project for the Jasmin Licensed Chinese Restaurant in Te Whanganui-a-Tara Wellington in 1983.

In 1983 Guy created ‘Seascape’ for the New Zealand Wool Board building, known as “Wool House”, in Wellington’s CBD. Made of 19 cast aluminium panels it was to be his last commission with his former employer, Stephenson & Turner. It was later removed from its site and put into storage until architect Ron Sang acquired it and relocated it to his home in Epsom, where it remains.

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Public Art Heritage Aotearoa New Zealand

A research initiative based at Toi Rauwhārangi Massey University College of Creative Arts.

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